Posts Tagged ‘Sean Paul’

Okay, so 2016 has been quite the year. We’re all aware of all the genuine musical talent we’ve lost, so I’m not going to dwell on that. I also have to admit, I’ve been a little distracted this year, and feel like I’ve fallen behind in my musical game, so I apologize for that. All that aside, it’s time to pay due to that music that did get us through this roller coaster of a year (note: as always, I haven’t listened to every single album released this year, so keep that in mind.)

Best New Artist – Banners

Hailing from the UK, Banners (aka Michael Joseph Nelson) dropped his debut EP this year, and it was soulful, thoughtful and proved how he can use his words to shed a beautiful on love.

Best Live Show – The Tragically Hip: Man Machine Poem Tour

The entire country was in shock when we heard of lead singer Gord Downie’s terminal brain cancer. After everything this band has done for music, for Canadians, it’s hard to imagine world where they don’t exist. However, The Hip didn’t hold back from putting on one helluva live show. Downie was on fire, the crowd was on cloud nine, and it was one of the best concert atmospheres I’ve ever been a part of.

Best Collaboration – “I Need a Forest Fire” James Blake feat. Bon Iver

Two of indie music’s geniuses came together and made some wonderful music. Sublime.

Worst Collaboration -“I Hate You, I Love You” by Gnash feat. Olivia O’Brien

There’s no love here for this track, just haterade. It’s such a cliché, teen angst attempt at being “deep.” Also what’s with the leather jacket in the blazing heat while walking through the forest?

Guiltiest Pleasure – “Pillowtalk” by Zayn

It’s so bad, but I can’t help it.

Coolest Artist – Alessia Cara

She’s only 20 years old, she’s Canadian and signed to Def Jam. She’s mature, gracious and writes music with real meaning. She’s everything other female singers in her age group aren’t. Let’s be friends, k?

Best Canadian Album – 99% by Kaytranada

A breakthrough in the Canadian hip-hop scene, Kaytranada brings all kinds of sounds together and tops it all off with tight vocals. Truly a unique album, and one everyone should hear.

Best 90s Comeback – Temple of the Dog

They reunited on the 25th anniversary of the release of their one and only album, for one last tour. There is nothing more 90s than Chris Cornell and Eddie Veddie making music together again.

 

Saddest 90s Comeback – Britney Spears

It’s Britney, bitch. And apparently she’s back. I think. Except it looks like she’s trying to use the same tricks she used back in the day, just with more botox. Don’t get me wrong, I want to root for her, I do. It’s just time for her to throw in the towel (and get rid of her figure skating costumes.)

Best Song feat. Sean Paul – “Cheap Thrills” by Sia feat. Sean Paul

This right here, is my jam.

Best Folk Album – Cleopatra by The Lumineers

There’s something to eloquent and peaceful about this band. Every track on this album is a story full of emotion, and displays the kind of musicianship that says so much, by doing so little. I also saw them perform in the rain, and couldn’t stop swooning. So there’s that.

Best Break Up Album – This is What the Truth Feels Like by Gwen Stefani

The best thing to come out of her very public split from Bush frontman Gavin Rossdale, was this album. It’s part screw you, part self-reflection, and all Team Gwen. Plus, her live show game is phenomenal.

Best Dance Track – “Let Me Love You” DJ Snake feat. Justin Bieber

Hate on Biebs all you want, but you can’t deny this song gets you up on the dance floor (even if that dance floor is your living room.)

Most Overrated Artist – Chainsmokers

I just can’t with these guys. They’re wannabe hipster douchebags, whose first single was entitled “#Selfie.” They claim to be DJs, but I’m pretty sure their egos just like being on a stage with big headphones. Also, smoking isn’t cool.

Most Underrated Artist – Solange

Solange (ie Beyoncé’s younger sister) definitely gets a lot of critical acclaim, but I don’t think the general masses really understand her talent. She’s full of soul, heart, and has a voice that makes her a Queen in her own right.

Best Video of the Year – “Wow” by Beck

This track is several steps away from anything Beck has ever done. It’s rock, but synth, but kind of hip-hop, with tints of indie. And the video has everything you could ever want, including Beck dancing in the middle of the street.

Worst Video of the Year – “7 Years” by Lukas Graham

Truth be told, there are probably worse videos out there, but this one wins because it’s trying so hard to be something, but no one understands what. Not to mention, “Lukas Graham” refers to the 3-person band, not just the lead singer whose name is also Lukas. I’m confused.

 

Worst Album of the Year – Following My Intuition by Craig David

He tried to come back after years off the map, and it was horribly bad. Just so so bad (I swear I tried really hard to like it!)

Album of the Year – Lemonade by Beyoncé

This album is Bey at her Queenest, bringing her A+ of A games, while simultaneously slaying everyone in her path. She collaborates with artists of all genres, including Jack White, Kendrick Lamar and Diplo. All hail Queen Bey.

 

Most Disappointing Song of the Year – “Can’t Stop the Feeling” by Justin Timberlake

It’s disappointing because we all know JT can do so much better. It’s a sad attempt at a very poor man’s “Happy” and falls totally flat.

Worst Song of the Year – “Treat You Better” by Shawn Mendes

I never enjoy knocking down Canadian artists, but Mendes gave me no choice. When I hear this song, it sounds like nails going down a chalkboard, and my ears bleed. His voice is so nasal/whiny, the lyrics are so cheesy (yes, I know he’s only 18) and it just needs to stop.

Song of the Year – “River” by Bishop Briggs

Anything you could ever want in a track, and then some. Love, love, love.

 

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Sean Paul: reggae singer, party starter, anthem-maker. He makes songs that create memories, and define at least one of your past clubbing experiences. We all know he’s the king of Dutty Rock, and he proves that by raising the following tracks to higher places, merely by appearing in them. There’s just something about that voice that screams dance party (even though it’s impossible to decipher what he’s saying.)

1. “Make It Clap” – Busta Rhymes feat. Sean Paul & Spliff Starr

Any song that involves Sean Paul’s signature “Yeah, yeah, yeah” is destined to succeed. His intelligible reggae mumbles are the perfect match to Busta’s rhymes, and when he slurs “Make it Clap,” my hands immediately come together. It’s like he’s rapping reggae. Plus, who else can pull off a red fur coat, shades and an athletic head band inside a club?

 

2. “Baby Boy” – Beyoncé feat. Sean Paul

This track dropped before Beyoncé was Queen Bey, so she was still on her way to taking over the music world. A magnanimous talent on her own back then, Sean Paul still undoubtedly next levels this track. The first 15 seconds are random Sean Paul spewings, with the only coherent part being when he says his own name. He knows how to keep his vocals in the background, and when to bring them to the forefront. There’s just something about the rhythm in the way he sings, that hooks you in. It’s like his words are dancing along with him, making you want to bust a move. His music does no harm.

 

3. “Bailando” – Enrique Iglesias feat. Sean Paul, Descemer Bueno & Gente de Zona

Enrique Iglesias naturally exudes an incredible amount of sultriness; just watch the way he sings into the microphone. He drips sensuality, yet on this dance-filled track, it’s so easy to get distracted by Sean Paul’s interruptions: he says so much, by saying so little. The words “baby girl” leave his lips so many times, and you hear each and every one of them, in spite of Iglesias’ sexiness singing over them. Sean Paul is just that good.

 

4. “Money Jane” – Kardinal Offishall feat. Sean Paul, Jully Black & Baby Blue Soundcrew

I bet you you have all forgotten that Sean Paul appeared in this gem of a track. Lead by Toronto rapper Kardinal Offishall, Toronto artist Jully  (pronounced Julie) Black, and backed by Toronto DJs Baby Blue Soundcrew (remember them?), this offering is a Costco-sized bottle of nostalgia. Sean Paul’s vocals aren’t as prevalent as in other songs, but he is at his most coherent here. Though he’s one amongst many appearing here, he still resonates strongly enough for this track to be included on this list.

 

5. “Cheap Thrills” Sia feat. Sean Paul

The most recent of Sean Paul’s guest appearances and possibly one of his greatest. Sia definitely holds her own here, and this track is dance-able even without Sean Paul’s presence. But having him say “girl” at least 6 times in the first 10 seconds, is just too priceless to ignore. After hearing this version, it’s difficult to go back to the only-Sia version. He also tells us we’re worth more than diamonds and gold, so why wouldn’t you want to hang out with this track?

I have to admit right off the bat that this year was not all that impressive when it came to music. Nonetheless, a closer look at the best and the worst of this year is a must. So here we go. (Note: this list is solely based on my choices, having nothing to do with popularity, sales; also, as hard as I try, I have not listened to every single album by every single artist released this year.)

Best New Artist – Hozier

This soulful meets rock ‘n roll Irish bloke knows how to do music well. Really well. From the power of his hit single “Take Me to Church” to the soft simplicity of his track “Work Song,” his versatility shines. He’s going to be around a long while.

Best Canadian Album – Advanced Basics by Ubiquitous Synergy Seeker

I’ll admit this is a bit of a stretch. It’s a crowdsourced 7-track EP, which did not reach to the top of any charts. However, there’s just something so Canadian, so humble, so affable about this band and their music, I couldn’t deny them this title.

Worst New Artist – Magic!

Normally, I try and avoid taking jabs at fellow Canadians, but these guys kind of deserve it. They say they’re reggae-pop, and although there is absolutely nothing wrong with fusing genres together, they execute neither one of them well. It’s like half-ass reggae, with lame pop.

Best Summer Song – “Rather Be” by Clean Bandit feat. Jess Glynne

This song just feels like summer. Cruisin’ down the streets, top down, enjoying the summer heat.

Best 90s Comeback – Bush

When I think about this band, all I see is the 90s. They epitomized it: from their sound, to lead singer Gavin Rossdale’s relationship with No Doubt lead singer Gwen Stefani; not to mention, it was the first ever rock concert I attended. Though they’re not the same as they used to be, it’s great to have them back.

Douchebags of the Year – Arcade Fire

I’ve already admitted this year that Arcade Fire confuses me. They make wonderful music that makes everything sparkle, but then they act like morons. They win this title because they insisted their fans show up in a costume or formal attire to attend their live shows. Pretentious, much?

Most Overrated Song – “All About that Bass” by Meghan Trainor

I’m not sure why this song has received so much attention. Yes, it for once highlights voluptuous women (in a non-grotesque kind of way,) but that’s about it. The lyrics are lame, the video’s pastel colours are nauseating, and the 50’s throwback sound is ruined by her nasal voice. I am not about that bass.

Most Underrated Album – Ghost Stories by Coldplay

It wasn’t an album as much as it was a work of art. So much was said, in so few words, as the music did most of the talking. I was completely surprised by the maturity and introspection in this album, as Coldplay hasn’t put out an album true to their abilities in quite some time. Bravo.

Best Rap Album – 2014 Forest Hill Drive by J. Cole

I’m not incredibly familiar with J. Cole’s older material, but he has a lot to say on this album. It’s not the crass hip-hop scene we’re used to. It’s more mature, thought out, and patient. I’m impressed.

Best Collaboration – “Love Me Harder” by Ariana Grande & The Weeknd

The sultriness in her voice, and the velvety smoothness in his, show how each of them bring their own style to the track, their own interpretations of angst and yearning. Add that to the 80s vibe in the music, and it’s a pretty great track.

Worst Collaboration – “Booty” by Jennifer Lopez feat. Iggy Azalea

This obsession with highlighting the female derrière in music this year is absurd. What happened to actually making music?

Guiltiest Pleasure – “Bailando” by Enrique Iglesias, feat. Sean Paul, Descemer Bueno and Gente de Zona

I can’t help it. Maybe because Sean Paul can do no wrong; maybe because Enrique’s intense gaze makes it feel like he’s penetrating your soul, in a way that makes you giddy inside. The street dancing, the traditional dancing, the overall sexiness of the video makes you want to think this song is lame, but it just isn’t. Baby girl.

Best Choreography in a Video – “Hideaway” by Kiesza

This song is covered in 80s shout outs. From the synth-pop sound, to the wardrobe, to the dance moves. All perfectly executed, in sync, and apparently the entire video was done in one take.

Worst Choreography in a Video – “7/11” by Beyoncé

Maybe I’m showing my age here, but I don’t get this video. It seems to be Beyoncé just freestyle dancing, in what seems to be a home made video. She’s on her balcony, in her bathroom; then randomly drops playing dice on someone’s behind. I think it’s supposed to show her crazy, fun, free side. I think.

Worst Album of the Year – Talk Dirty by Jason Derulo

This album is actually the worst. Jason Derulo is a thug wannabe who can’t dance, trying to pretend he gets all these ladies. Except I’m pretty sure that only happens in his videos, and not at all in real life. I bet anything his idol is Chris Brown too. Get a clue, Derulo: no one wants to talk dirty to you.

Album of the Year – Rose Ave. by You + Me

Although this album wasn’t a blockbuster hit, it still stands apart from the rest. Combining the talents of Dallas Green (of City and Colour) and Pink, they created an indie rock/country/soul album which hit all the right notes. Her powerful, emotional vocals; with his soft-spoken, and  equally emotional vocals, made every track on the album shine.

Worst Song of the Year – “Anaconda” by Nicki Minaj

I can’t. I just can’t.

Song of the Year – “Stay With Me” by Sam Smith

He’s powerful, vulnerable, and writes lyrics that really hit home. His emotions run deep, and are felt in every note, every inflection. The gospel-like choir in the background just gives that extra heat to the track, allowing Smith to become it. He is this song; and so are all of us.