Posts Tagged ‘Oasis’

In this part of the Live Series, I take a look at the concerts that got away. Those shows that somehow eluded me, and now I’ll always be left in the world of what could’ve, should’ve, and would’ve been.

Michael Jackson

This is obvious. I always assumed I would see him, but alas.

Oasis

There is something so comforting about these guys. I have many memories attached to their music, and their classic sound is filled with nostalgia, making them feel like lifelong friends. The familiarity in their music never fails to warm me up inside. Yet, between 1994 and 2008, they played 12 live shows in Toronto, and I couldn’t find the time in my busy, self-absorbed life, to go see them live. They broke up in 2009, and I will never forgive myself for missing out on something that should’ve happened.

Coldplay

I’ll start right away with admitting that I have seen Coldplay live. Once in either 2006 or 2008 for either the X&Y or Viva La Vida tour; once accidentally in 2011 at Lollapalooza. Here’s the thing: everything Coldplay did post- X&Y isn’t worth listening to. That’s when they sold out, changed their sound to appeal to the masses, and lost what truly made them unique, truly made them Coldplay. I didn’t really fall for them until their sophomore album A Rush of Blood to the Head, released August 2002. In September 2002, they breezed through Toronto, and I was offered a free ticket. I could’ve seen them at their peak, but like an idiot, I declined. By October 2002, I was obsessed with them, and I haven’t stopped kicking myself since.

Nirvana

Also, an obvious one. They played such a huge role in my musical upbringing, my childhood/adolescence, my pre-teen angst. Since their career was short-lived due to Kurt Cobain’s untimely death, I always wonder how amazing it would’ve been to witness them live. They only came to Toronto 3 times between 1990 and 1993; the Nevermind tour happened at the Opera House. Can you even imagine how historic that would’ve been?

Queen

Queen played a total of 7 live shows in Toronto from 1977-1982, making it impossible for me to have ever attended. But man, it would’ve been a dream. Their music alone would be reason enough to go, but with Freddie Mercury on the mic, his showmanship on display, and the band’s music live, all amongst a giant crowd: that would’ve been music at its best.

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Maybe it’s because spring is around the corner, bringing its sense of new beginnings. Or maybe it’s a renewed sense of zen after taking a step back from reality for a little while. Whatever the case, I’ve decided it’s high time to just let things go. Grudges don’t help anyone out, don’t do anyone any favours. They really only affect you, occupying your every thought, impacting your every emotion. So if someone’s throwing shade your way, let it slide. Move on. Cut your losses. Because this can be a lot harder than it seems, here are a few tracks to help you rid yourself of all that drama.

“Shine” by Mondo Cozmo

This song from Philly-bred, LA-based artist Josh Ostrander, is about figuring out the right path to take, and finding one’s way through it. The music is hopeful and more than anything, it reminds us there’s nothing wrong with asking for a little help.

“Landslide” by Fleetwood Mac

A track from 1975, that remains relevant to this day. The sadness in Stevie Knicks’ voice, and the lyrics full of reflection, can’t help but make us think that no matter what happens to us, life moves forward. Sometimes, you just have to leave the past behind, be the bigger person, and focus on the future; as hard as it may be.

“Don’t Look Back in Anger” by Oasis

Wise words from these Britpop royals.

“Walk Away” by Ben Harper

Ben Harper has this magical way of using his voice, music and lyrics to convey the deepest of emotions, completely effortlessly. The track says it all.

 

“Let it Go” by James Bay

Typically, I don’t lean towards overplayed Top 40 pop music, but there’s just something about this one. Bay masterfully controls his voice, making you feel everything he does. The lyrics, though simplistic at times, are also real which helps the listener relate to Bay’s woes.

 

Music’s history is generally created by movements. The birth of new genres developing into entire music scenes, all capable of defining an entire generation. Here’s a look at two institutes of music that happened simultaneously in different parts of the world.

Grunge

Origins:  Late 80s, early 90s. Seattle, Washington.

Affiliated Bands: Nirvana, Pearl Jam, Soundgarden

Sound: Punk, heavy metal, indie and alternative rock influences

Attitude: Apathetic

Grunge music was all the rage in the U.S. during the early 90s, when it made its way into the mainstream. Its heavily distorted, static noise sound became recognizable anywhere, and it started to take over the music charts,. Grunge music deals with feelings of discontent: with the ways of the world, with society, and with appearances. Thematically speaking, grunge gave voice to issues like social prejudices and unpopularity, apprehension, depression and carried over punk music’s notions of anarchy and revolution. No sugar plums and fairy tales here. They were not in it for the fame or the glamour. Their shows did not have fancy lighting or pyrotechnics; it was just a group of friends, dressed in ripped jeans, with long unkempt hair, headbanging and playing music together.

Nirvana went on about reality vs. expectations in “Come As You Are;” Pearl Jam discussed social outcasts in “Jeremy;” Soundgarden spoke up about depression on “Fell on Black Days.” There was no way they could predict  the number of people who shared their angst and would respond to their lyrics. They approached real issues and it struck a chord with more people than anyone could have imagined: they were the classic tortured soul. Teenagers and young adults related the most – as we all know, high school can be a very dark and difficult time. These kids finally had someone who understood them, who represented them, who made them feel less alone. Nirvana lead singer Kurt Cobain, unwilling poster boy for grunge, committed suicide on April 5th, 1994. That single event would be the start of the demise of grunge music. Post-grunge (think Bush) developed in the mid 90s, but did not have the same foundation as grunge, as it only springboarded off of it, and catered more to the radio-friendly crowd. In the late 90s, grunge faded out and was replaced by the unfortunate comeback of boy bands.

Britpop

Origins: Late 80s, early 90s. England.

Affiliated Bands: Blur, Pulp, Oasis

Sound: Punk, pop, indie and alternative rock influences

Attitude: Optimistic

The roots of Britpop began with the Madchester scene in England in the 80s. Bands like The Stone Roses and New Order fused dance music and rock ‘n roll, paving the way for a more uplifting sound compared to moodier bands of the time, like The Smiths. In the early 90s, England was finally looking to a brighter future:  Margaret Thatcher and her radical conservatism were on the brink of being ousted, multiculturalism was on the rise, and England seemed to be opening up. The British were finally in a good mood. However, once American grunge music started crossing over and invading the British music scene, they wanted to dispel all that angst and negativity, and prevent it from poisoning their country. Britpop started in an effort to defeat grunge music by being the exact opposite: spreading cheerfulness, positivity and promise. Their sound had heavy elements of guitar pop, and infused British pride throughout their music.

Blur basked in the glory of “Park Life;” Oasis wanted to “Live Forever;” Pulp wanted to see the world through the eyes of “Common People.” Their music was fun, lively, and likely to cause a dance party wherever it went. When anyone reaches a certain amount of success, however, their demise is usually self-inflicted. Once Britpop was well established, Blur and Oasis took it upon themselves to get into a bitter battle. They each released a single – Oasis’ “Roll With It” and Blur’s “Country House” – on the same day to see which one would sell more copies. Blur won that battle, but Oasis was overall much more successful commercially. In 1997, Oasis’ third album Be Here Now was released and poorly received for its unpleasant sound.  Blur released their self-titled fifth album, with a sound far deviated from their previous albums. British fans eventually lost interest and turned their attentions to Spice Girls and the more mystic sounds of Radiohead. Britpop disappeared into the background.

Keep in mind folks, this is just a brief insight into the histories of these genres. But what’s most interesting is the idea that one movement was created out of the disdain for the other movement. Britpop would not have existed without Grunge. Who knew?