Posts Tagged ‘Craig David’

It’s pretty certain most us would like to put 2017 behind us, and move forward to the (hopefully) better and brighter 2018. Musically speaking, 2017 was a decent year, so let’s celebrate all it had to offer (Note: once again, these are solely my opinions, and as usual I didn’t listen to every single record that was released this year.)

Best Rap Album: DAMN. by Kendrick Lamar

I’ll be honest: I didn’t fully get the “hype” behind Lamar until this album came out. It wins because Lamar’s lyrics are smart, honest, and he’s actually saying something. Plus, the album as a whole is a solid mix of rhymes, dope beats, and a whole lotta love.

Guiltiest Pleasure: “There’s Nothin’ Holding Me Back” by Shawn Mendes

He’s so plain and vanilla; boring and unoriginal. Yet this songs makes me dance, and I just can’t help it.

Worst Collaboration: “Something Just Like This” Coldplay + The Chainsmokers

Coldplay has been dead to me for some time now. The minute they shed everything that made them them, I cut the cord. The Chainsmokers were never on my good list, because there’s nothing good about them. This is a musical abomination on so many levels.

Best Collaboration – “I Know You” by Craig David feat. Bastille

David’s smooth vocals against Bastille’s rock operatic ones; David’s R&B sound, with Bastille’s rock-electronic vibe. Mash it all together and what you get is beautiful music. Not to mention: Craig David is back!

Best Latin Collaboration: “Mi Gente” by J Balvin, Willy William feat. Beyoncé

The original of this infectious track has over 1.4 billion views on YouTube alone. Add Queen Bey into the mix and it’s completely unstoppable.

Most Surprising Track: “Rockstar” Post Malone feat. 21 Savage

At first glance, Post Malone leaves nothing to be desired. That should teach me to judge a book by its cover. Although he screams drug addict trailer trash, with nasty grills and hair that hasn’t been washed in months, his music is actually pretty good (I can’t believe I just admitted that.)

Most Disappointing Track: “Walk on Water” by Eminem feat. Beyoncé

This wins this category because in spite of its huge potential, it falls flat. The content of Em’s flow is pretty good, but his delivery is lazy, slurry and sounds a little too much like Macklemore (sorry Em!) Bey’s chorus makes the track listenable, but otherwise, it’s a bit of a snoozefest (I can’t believe I just admitted that.)

Best Indie Track: “Nobody Else Will be There” by The National

It’s moody, dark, and puts your stomach in knots. Everything a National song is supposed to be.

Worst Indie Track: “Feel It Still” by Portugal. The Man

It’s so catchy that it very quickly becomes too catchy, which automatically makes it intolerable. It’s just trying too hard.

Best Club Track: “Unforgettable” by French Montana feat. Swae Lee

I dare you not to bust a move right now.

Best R&B Track: “Skywalker” by Miguel feat. Travis Scott

One of the best tracks off Miguel’s release War & Leisure, it shows off his velvety vocals, a sick beat, and also appeared on HBO’s smash hit Insecure.

Best New Artist: Amy Shark

Delicate vocals full of vulnerability and soul, Australia’s Shark is a singer-songwriter who has managed to dominate radio waves, in spite of the fact she’s only ever released a 6-track EP. Look out for her in 2018.

Worst New Artist: Cardi B

There are just so many things about Cardi B that, despite my best efforts, I just can’t.

Best Track from an Ex-Member of One Direction: “Sign of the Times” by Harry Styles

This track wins mostly because the sound is just more to my liking. A little more rock ‘n roll, a little edgier. Niall’s offering was too cheesy boy band pop; Zayn’s was too over the top and all over the place.

Worst Track from an Ex-Member of One Direction: “Strip That Down” by Liam Payne feat. Quavo 

Payne just isn’t vocally strong enough to be a solo act. Everything about this screams someone who’s a little too keen on changing his image. Newsflash, Liam: it’s not working.

Best TV Soundtrack: Big Little Lies

It has everything from Leon Bridges, to Alabama Shakes, to Martha Wainwright. Oh, and this killer theme song.

Best Movie Soundtrack: Atomic Blonde

Question: what’s better than watching a stiletto-wearing Charlize Theron kick ass to the sound of new wave/rock/pop/punk 80s music? Answer: nothing.

Best Canadian Album: Everything Now by Arcade Fire

I will agree that Arcade Fire is definitely an acquired taste. But once you get into them, there’s something unique about the way they make music and put it all together, that sets them apart. This wasn’t their best album, but a solid one nonetheless.

Best Comeback: N.E.R.D.

It’s been 7 years since N.E.R.D. released an album, and 16 years (!) since their anthem “Rock Star” was released. This year’s No One Ever Really Dies is such a force, both musically and lyrically; there’s nothing out there that sounds anything like it. Bravo.

Worst Comeback: Theory of  a Deadman

Technically ToaD put out an album in 2014, but let’s be honest – it’s been at least 12 years since they released anything anyone heard, and, frankly, it should’ve stayed that way. They are, and have always been a poor man’s Nickelback.

Most Underrated Artist: Billie Eilish

Ms. Eilish released her debut EP, Don’t Smile at Me, this summer. At only 15 years old (!), she blew me away.

Most Overrated Artist: Ed Sheeran

Look, I know it’s easy to come down hard on Sheeran, but it’s just as hard not to. His music is formulaic, his vocals aren’t anything special, and he’s a ginger. Somehow, he’s heralded as the best of the best, and his smugness exacerbates with each accolade. I will never understand his appeal.

Best Cover Song: “Bitter Sweet Symphony” by London Grammar 

The key to a good cover song is to maintain the integrity of the song, while putting your own spin on it. London Grammar has done exactly this with The Verve’s 1997 classic. Grammar stripped it down, and made it more haunting. As far as covers go, it’s perfection. Not to mention, lead singer Hannah Reid kills it on vocals.

Worst Cover Song: “You Get What You Give” by Felix Cartal

I’ve said it before and I’ll say it again – if you’re going to cover a song, make sure it’s a song that’s worth covering. The New Radicals’ original from 1998, wasn’t a good song. It was mediocre at best. Then completely changing the sound from pop/rock to techno is an even worse decision.

Best Live Show: The xx 

I’ve been to my fair share of concerts, and I can say without a doubt, The xx came out on top this year. Their music builds up so subtly, until it takes over and pulls at every emotion inside your body. The only option you have left is to dance off the emotional wreck you have become – it’s the best way to heal.

Worst Album: Reputation by Taylor Swift

Swift needs to take a chill pill. Her attempt at shedding her “good girl” image is so predictable, and so not working. No one believes her to be this villainous vixen (except maybe her millions of fans.) She tried to throw shade at the Kardashian-Wests, her music gets worse and worse with every album, and she needs to stop with the red lipstick.

Album of the Year: I See You by The xx

This album has the ability to make you feel things you never thought you could feel; it’ll make you hear things in ways you never thought possible; it’ll break your heart, sweep you off your feet; it’ll understand you like your best friend, and hurt you like your past love. All while making it impossible to resist dancing like no one’s watching.

Worst Song: “Take a Knee…My Ass” by Neal McCoy

This requires zero explanation.

Song of the Year: “Performance” by The xx

The first time I heard this song, it permeated through my skin, invaded my soul and sunk my heart; time actually stopped. The story it tells is one that resonates with us all, and its honesty is so real, it hurts. In a good way.

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Okay, so 2016 has been quite the year. We’re all aware of all the genuine musical talent we’ve lost, so I’m not going to dwell on that. I also have to admit, I’ve been a little distracted this year, and feel like I’ve fallen behind in my musical game, so I apologize for that. All that aside, it’s time to pay due to that music that did get us through this roller coaster of a year (note: as always, I haven’t listened to every single album released this year, so keep that in mind.)

Best New Artist – Banners

Hailing from the UK, Banners (aka Michael Joseph Nelson) dropped his debut EP this year, and it was soulful, thoughtful and proved how he can use his words to shed a beautiful on love.

Best Live Show – The Tragically Hip: Man Machine Poem Tour

The entire country was in shock when we heard of lead singer Gord Downie’s terminal brain cancer. After everything this band has done for music, for Canadians, it’s hard to imagine world where they don’t exist. However, The Hip didn’t hold back from putting on one helluva live show. Downie was on fire, the crowd was on cloud nine, and it was one of the best concert atmospheres I’ve ever been a part of.

Best Collaboration – “I Need a Forest Fire” James Blake feat. Bon Iver

Two of indie music’s geniuses came together and made some wonderful music. Sublime.

Worst Collaboration -“I Hate You, I Love You” by Gnash feat. Olivia O’Brien

There’s no love here for this track, just haterade. It’s such a cliché, teen angst attempt at being “deep.” Also what’s with the leather jacket in the blazing heat while walking through the forest?

Guiltiest Pleasure – “Pillowtalk” by Zayn

It’s so bad, but I can’t help it.

Coolest Artist – Alessia Cara

She’s only 20 years old, she’s Canadian and signed to Def Jam. She’s mature, gracious and writes music with real meaning. She’s everything other female singers in her age group aren’t. Let’s be friends, k?

Best Canadian Album – 99% by Kaytranada

A breakthrough in the Canadian hip-hop scene, Kaytranada brings all kinds of sounds together and tops it all off with tight vocals. Truly a unique album, and one everyone should hear.

Best 90s Comeback – Temple of the Dog

They reunited on the 25th anniversary of the release of their one and only album, for one last tour. There is nothing more 90s than Chris Cornell and Eddie Veddie making music together again.

 

Saddest 90s Comeback – Britney Spears

It’s Britney, bitch. And apparently she’s back. I think. Except it looks like she’s trying to use the same tricks she used back in the day, just with more botox. Don’t get me wrong, I want to root for her, I do. It’s just time for her to throw in the towel (and get rid of her figure skating costumes.)

Best Song feat. Sean Paul – “Cheap Thrills” by Sia feat. Sean Paul

This right here, is my jam.

Best Folk Album – Cleopatra by The Lumineers

There’s something to eloquent and peaceful about this band. Every track on this album is a story full of emotion, and displays the kind of musicianship that says so much, by doing so little. I also saw them perform in the rain, and couldn’t stop swooning. So there’s that.

Best Break Up Album – This is What the Truth Feels Like by Gwen Stefani

The best thing to come out of her very public split from Bush frontman Gavin Rossdale, was this album. It’s part screw you, part self-reflection, and all Team Gwen. Plus, her live show game is phenomenal.

Best Dance Track – “Let Me Love You” DJ Snake feat. Justin Bieber

Hate on Biebs all you want, but you can’t deny this song gets you up on the dance floor (even if that dance floor is your living room.)

Most Overrated Artist – Chainsmokers

I just can’t with these guys. They’re wannabe hipster douchebags, whose first single was entitled “#Selfie.” They claim to be DJs, but I’m pretty sure their egos just like being on a stage with big headphones. Also, smoking isn’t cool.

Most Underrated Artist – Solange

Solange (ie Beyoncé’s younger sister) definitely gets a lot of critical acclaim, but I don’t think the general masses really understand her talent. She’s full of soul, heart, and has a voice that makes her a Queen in her own right.

Best Video of the Year – “Wow” by Beck

This track is several steps away from anything Beck has ever done. It’s rock, but synth, but kind of hip-hop, with tints of indie. And the video has everything you could ever want, including Beck dancing in the middle of the street.

Worst Video of the Year – “7 Years” by Lukas Graham

Truth be told, there are probably worse videos out there, but this one wins because it’s trying so hard to be something, but no one understands what. Not to mention, “Lukas Graham” refers to the 3-person band, not just the lead singer whose name is also Lukas. I’m confused.

 

Worst Album of the Year – Following My Intuition by Craig David

He tried to come back after years off the map, and it was horribly bad. Just so so bad (I swear I tried really hard to like it!)

Album of the Year – Lemonade by Beyoncé

This album is Bey at her Queenest, bringing her A+ of A games, while simultaneously slaying everyone in her path. She collaborates with artists of all genres, including Jack White, Kendrick Lamar and Diplo. All hail Queen Bey.

 

Most Disappointing Song of the Year – “Can’t Stop the Feeling” by Justin Timberlake

It’s disappointing because we all know JT can do so much better. It’s a sad attempt at a very poor man’s “Happy” and falls totally flat.

Worst Song of the Year – “Treat You Better” by Shawn Mendes

I never enjoy knocking down Canadian artists, but Mendes gave me no choice. When I hear this song, it sounds like nails going down a chalkboard, and my ears bleed. His voice is so nasal/whiny, the lyrics are so cheesy (yes, I know he’s only 18) and it just needs to stop.

Song of the Year – “River” by Bishop Briggs

Anything you could ever want in a track, and then some. Love, love, love.

 

On top of being an electronic/hip-hop artist, DJ and producer, Kaytranada (aka Louis Kelvin Celestin) can add 2016 Polaris Music Prize winner to his repertoire – even beating out the likes of Drake and The Weeknd. The Polaris Prize may not be well known to most, but it is probably one of the most coveted awards out there, and that’s because it recognizes the best full-length Canadian album, based on artistry – not sales or popularity.

Kaytranada is a Haitian-Canadian artist based out of Montreal. 99.9% is an incredibly accessible album, because it has something for everyone. DJ tracks sans lyrics, so you can appreciate his 70s funk-like beats with new age twists, and also his super-synth 80s vibes.

He fulfills the guest artist quota on several occasions. UK electronic pair AlunaGeorge appears on “Together” giving it just the right amount of soul; Toronto-based hip-hop instrumentalists BadBadNotGood show up on “Weight Off;” Rapper Phonte lends his rhymes on “One Too Many,” which marry well with Kaytranada’s sounds to create a classic dance track. Most notably, however, is the resurgence of R&B sensation Craig David on the instant hit, “Got It Good.”

99.9% takes the listener on a musical journey. It’s the type of album that can get a dance party started and keep it going. It’s the type of album that can be on in the background at a dinner party. Distinct and precise use of sounds and instruments, and a wide range of vocals make it the type of album that suits all tastes and is appropriate for any occasion. If you’re still not convinced of Kaytranada’s musical prowess, the following video should make you doubt no more: a dancing robot, scat singing and a dope beat. Gold.