Posts Tagged ‘Beyonce’

Okay, so 2016 has been quite the year. We’re all aware of all the genuine musical talent we’ve lost, so I’m not going to dwell on that. I also have to admit, I’ve been a little distracted this year, and feel like I’ve fallen behind in my musical game, so I apologize for that. All that aside, it’s time to pay due to that music that did get us through this roller coaster of a year (note: as always, I haven’t listened to every single album released this year, so keep that in mind.)

Best New Artist – Banners

Hailing from the UK, Banners (aka Michael Joseph Nelson) dropped his debut EP this year, and it was soulful, thoughtful and proved how he can use his words to shed a beautiful on love.

Best Live Show – The Tragically Hip: Man Machine Poem Tour

The entire country was in shock when we heard of lead singer Gord Downie’s terminal brain cancer. After everything this band has done for music, for Canadians, it’s hard to imagine world where they don’t exist. However, The Hip didn’t hold back from putting on one helluva live show. Downie was on fire, the crowd was on cloud nine, and it was one of the best concert atmospheres I’ve ever been a part of.

Best Collaboration – “I Need a Forest Fire” James Blake feat. Bon Iver

Two of indie music’s geniuses came together and made some wonderful music. Sublime.

Worst Collaboration -“I Hate You, I Love You” by Gnash feat. Olivia O’Brien

There’s no love here for this track, just haterade. It’s such a cliché, teen angst attempt at being “deep.” Also what’s with the leather jacket in the blazing heat while walking through the forest?

Guiltiest Pleasure – “Pillowtalk” by Zayn

It’s so bad, but I can’t help it.

Coolest Artist – Alessia Cara

She’s only 20 years old, she’s Canadian and signed to Def Jam. She’s mature, gracious and writes music with real meaning. She’s everything other female singers in her age group aren’t. Let’s be friends, k?

Best Canadian Album – 99% by Kaytranada

A breakthrough in the Canadian hip-hop scene, Kaytranada brings all kinds of sounds together and tops it all off with tight vocals. Truly a unique album, and one everyone should hear.

Best 90s Comeback – Temple of the Dog

They reunited on the 25th anniversary of the release of their one and only album, for one last tour. There is nothing more 90s than Chris Cornell and Eddie Veddie making music together again.

 

Saddest 90s Comeback – Britney Spears

It’s Britney, bitch. And apparently she’s back. I think. Except it looks like she’s trying to use the same tricks she used back in the day, just with more botox. Don’t get me wrong, I want to root for her, I do. It’s just time for her to throw in the towel (and get rid of her figure skating costumes.)

Best Song feat. Sean Paul – “Cheap Thrills” by Sia feat. Sean Paul

This right here, is my jam.

Best Folk Album – Cleopatra by The Lumineers

There’s something to eloquent and peaceful about this band. Every track on this album is a story full of emotion, and displays the kind of musicianship that says so much, by doing so little. I also saw them perform in the rain, and couldn’t stop swooning. So there’s that.

Best Break Up Album – This is What the Truth Feels Like by Gwen Stefani

The best thing to come out of her very public split from Bush frontman Gavin Rossdale, was this album. It’s part screw you, part self-reflection, and all Team Gwen. Plus, her live show game is phenomenal.

Best Dance Track – “Let Me Love You” DJ Snake feat. Justin Bieber

Hate on Biebs all you want, but you can’t deny this song gets you up on the dance floor (even if that dance floor is your living room.)

Most Overrated Artist – Chainsmokers

I just can’t with these guys. They’re wannabe hipster douchebags, whose first single was entitled “#Selfie.” They claim to be DJs, but I’m pretty sure their egos just like being on a stage with big headphones. Also, smoking isn’t cool.

Most Underrated Artist – Solange

Solange (ie Beyoncé’s younger sister) definitely gets a lot of critical acclaim, but I don’t think the general masses really understand her talent. She’s full of soul, heart, and has a voice that makes her a Queen in her own right.

Best Video of the Year – “Wow” by Beck

This track is several steps away from anything Beck has ever done. It’s rock, but synth, but kind of hip-hop, with tints of indie. And the video has everything you could ever want, including Beck dancing in the middle of the street.

Worst Video of the Year – “7 Years” by Lukas Graham

Truth be told, there are probably worse videos out there, but this one wins because it’s trying so hard to be something, but no one understands what. Not to mention, “Lukas Graham” refers to the 3-person band, not just the lead singer whose name is also Lukas. I’m confused.

 

Worst Album of the Year – Following My Intuition by Craig David

He tried to come back after years off the map, and it was horribly bad. Just so so bad (I swear I tried really hard to like it!)

Album of the Year – Lemonade by Beyoncé

This album is Bey at her Queenest, bringing her A+ of A games, while simultaneously slaying everyone in her path. She collaborates with artists of all genres, including Jack White, Kendrick Lamar and Diplo. All hail Queen Bey.

 

Most Disappointing Song of the Year – “Can’t Stop the Feeling” by Justin Timberlake

It’s disappointing because we all know JT can do so much better. It’s a sad attempt at a very poor man’s “Happy” and falls totally flat.

Worst Song of the Year – “Treat You Better” by Shawn Mendes

I never enjoy knocking down Canadian artists, but Mendes gave me no choice. When I hear this song, it sounds like nails going down a chalkboard, and my ears bleed. His voice is so nasal/whiny, the lyrics are so cheesy (yes, I know he’s only 18) and it just needs to stop.

Song of the Year – “River” by Bishop Briggs

Anything you could ever want in a track, and then some. Love, love, love.

 

Let’s put aside the fact that the MTV VMAs have become incredibly irrelevant over the past few years, because they just award the same artists over and over. Let’s ignore the fact that they don’t even televise the awards that actually have anything to do with the creative aspects of the videos. Let’s forget the fact there was no mention of Prince or David Bowie during the live broadcast. Let’s also pretend to believe the MTV VMAs represent all music and not just pop and hip-hop. That said, here are some thoughts on this year’s show.

Kanye does whatever he wants

After years of interrupting acceptance speeches, hating on anyone that wasn’t Beyoncé, Kanye was handed a full 4 minutes to rant and rave about whatever he wanted. It was disguised as a prelude to the premiere of his new NSFW video “Fade” off 2016’s Life of Pablo. His speech was nonsensical ramblings for the most part (as expected) but I’m not sure what MTV was hoping for: he shocked no one, and bored everyone.

Bey is Queen of everything

Slay, slay, slay. That’s all Bey does. Forget all her nominations and wins. Forget the fact that she gave a perfect 16-minute performance of snippets of her entire Lemonade album. Forget the fact everyone’s jaws dropped, and were left speechless. Forget everything you thought you knew about anything: Bey rules all.

Watch the epic performance here

Britney Spears needs to throw in the towel

Poor, Britney. In an attempt to revive her “career,” Britney Spears’ MTV VMA performance was slated as her big comeback. Except she had to follow Beyonce’s epic 15-minute explosion, and there’s no way she was going to surpass that. It didn’t help that Spears looked like old news, struggling to sell her sexuality. She performed her recently dropped single “Make Me” featuring no-one’s-ever-heard-of rapper G-Easy. Her outfit looked like something a figure skater would wear, and seemed to meander along the stage aimlessly, until G Easy showed up, which was her cue to grab his crotch. She needs to realize she’s not 16 anymore, and it’s not longer the 90s – no matter how much she wishes.

Drake vs. Rihanna

After essentially pouring his heart out and confessing his love for Rihanna, Drake went in for a kiss, and Rihanna so awkwardly dodged it. You could hear the viewers cringing, and Drake’s heart breaking  all over the world. Why can’t Rihanna just love Drake back? Also: as if she got some sort of lifetime achievement award for her videos. As if.

The Burning Questions

  • Is Puff Daddy still a thing?
  • Why is DJ Khaled such a fool? Conversely, why is Alessia Cara so adorable?
  • When panning the audience, why did the camera always fall on Kimye and/or Michael Phelps?
  • When did lip syncing during live performances become so widely accepted?
  • How many Kardashians need to be present at an awards show for people to watch?
  • Why is Nick Jonas’ new track called “Bacon”?
  • Why did Alicia Keys get high before dressing up in a tent and presenting?
  • How did Fifth Harmony win? Sexual inuendo is the only “art” in their videos
  • Who are the Chainsmokers and why are they so awful?

Lastly: why am I so old?

 

 

 

Sean Paul: reggae singer, party starter, anthem-maker. He makes songs that create memories, and define at least one of your past clubbing experiences. We all know he’s the king of Dutty Rock, and he proves that by raising the following tracks to higher places, merely by appearing in them. There’s just something about that voice that screams dance party (even though it’s impossible to decipher what he’s saying.)

1. “Make It Clap” – Busta Rhymes feat. Sean Paul & Spliff Starr

Any song that involves Sean Paul’s signature “Yeah, yeah, yeah” is destined to succeed. His intelligible reggae mumbles are the perfect match to Busta’s rhymes, and when he slurs “Make it Clap,” my hands immediately come together. It’s like he’s rapping reggae. Plus, who else can pull off a red fur coat, shades and an athletic head band inside a club?

 

2. “Baby Boy” – Beyoncé feat. Sean Paul

This track dropped before Beyoncé was Queen Bey, so she was still on her way to taking over the music world. A magnanimous talent on her own back then, Sean Paul still undoubtedly next levels this track. The first 15 seconds are random Sean Paul spewings, with the only coherent part being when he says his own name. He knows how to keep his vocals in the background, and when to bring them to the forefront. There’s just something about the rhythm in the way he sings, that hooks you in. It’s like his words are dancing along with him, making you want to bust a move. His music does no harm.

 

3. “Bailando” – Enrique Iglesias feat. Sean Paul, Descemer Bueno & Gente de Zona

Enrique Iglesias naturally exudes an incredible amount of sultriness; just watch the way he sings into the microphone. He drips sensuality, yet on this dance-filled track, it’s so easy to get distracted by Sean Paul’s interruptions: he says so much, by saying so little. The words “baby girl” leave his lips so many times, and you hear each and every one of them, in spite of Iglesias’ sexiness singing over them. Sean Paul is just that good.

 

4. “Money Jane” – Kardinal Offishall feat. Sean Paul, Jully Black & Baby Blue Soundcrew

I bet you you have all forgotten that Sean Paul appeared in this gem of a track. Lead by Toronto rapper Kardinal Offishall, Toronto artist Jully  (pronounced Julie) Black, and backed by Toronto DJs Baby Blue Soundcrew (remember them?), this offering is a Costco-sized bottle of nostalgia. Sean Paul’s vocals aren’t as prevalent as in other songs, but he is at his most coherent here. Though he’s one amongst many appearing here, he still resonates strongly enough for this track to be included on this list.

 

5. “Cheap Thrills” Sia feat. Sean Paul

The most recent of Sean Paul’s guest appearances and possibly one of his greatest. Sia definitely holds her own here, and this track is dance-able even without Sean Paul’s presence. But having him say “girl” at least 6 times in the first 10 seconds, is just too priceless to ignore. After hearing this version, it’s difficult to go back to the only-Sia version. He also tells us we’re worth more than diamonds and gold, so why wouldn’t you want to hang out with this track?