Archive for the ‘Pop’ Category

It goes without saying, there’s an art to covering another musician’s work. The key is to make it your own, change as you see fit, whilst maintaining the essence of the original. The following artists missed the memo on all that.

“Get What You Give” by Felix Cartal

Why on Earth did Cartal decide to cover such an underwhelming track? 90s one-hit wonder band The New Radicals birthed this back in 1998, had their 15 minutes, then quit the industry. I tried to find a way to defend his choice – he is, after all, a fellow Canadian. But in no universe, did this make any sense. It wasn’t a good song to begin with, and Cartal just made it worse.


“Faith” by Limp Bizkit

What would possess wannabe punk rockers to make a “loud” version of George Michael’s (RIP) 80s classic? Lead singer Fred Durst along with his whiny voice, roam the streets in oversized board shorts, baseball hats, and a pathetic excuse for a goatee. It’s incomprehensible to me why someone of Durst’s lack of abilities felt he was capable of paying homage to peak George Michael. Brace your ears, this is quite the abomination.

“Fast Car” by Jonas Blue feat. Dakota

This track isn’t like the rest, because technically, it’s a remix, and not a cover. But still; even that was a poor choice by this Jonas Blue character. Tracy Chapman’s original was drowning in emotion. It hung on to that bit of hope, that bit of freedom of not having your past drag you down, and it made you feel everything. This version makes you feel nothing.  Shame on you, Jonas Blue (and Dakota.)

“Under the Bridge” by All Saints

Let me get this straight: female pop group All Saints had the audacity not only to try and cover this epic Red Hot Chili Peppers’ track, but to also do it so so poorly. The DJ-scratch over the guitar intro is offensive. They try to make a song about loneliness and getting high, into something seductive and sultry and mysterious, which for some reason requires the bearing of midriffs. They completely fly over the heart of this song, and ignore its soul. How dare you, All Saints. How dare you.

“Light My Fire” by Train

Train: you are a mediocre pop/rock group (at best) that hit the top of your game in the early 2000s, with a couple of hit singles.  The Doors:  released this song in 1967, and are one the most influential bands of all time. They helped define rock ‘n roll, and this was one of the songs that paved the way. This cover is insulting, forgettable, and keeps none of the spirit of the original. So Train, I have to ask: who do you think you are?

 

(Note: all covers of “Smells Like Teen Spirit,” and anything by The Beatles or Michael Jackson were omitted – there are just too many horrible ones.)

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Maybe it’s because spring is around the corner, bringing its sense of new beginnings. Or maybe it’s a renewed sense of zen after taking a step back from reality for a little while. Whatever the case, I’ve decided it’s high time to just let things go. Grudges don’t help anyone out, don’t do anyone any favours. They really only affect you, occupying your every thought, impacting your every emotion. So if someone’s throwing shade your way, let it slide. Move on. Cut your losses. Because this can be a lot harder than it seems, here are a few tracks to help you rid yourself of all that drama.

“Shine” by Mondo Cozmo

This song from Philly-bred, LA-based artist Josh Ostrander, is about figuring out the right path to take, and finding one’s way through it. The music is hopeful and more than anything, it reminds us there’s nothing wrong with asking for a little help.

“Landslide” by Fleetwood Mac

A track from 1975, that remains relevant to this day. The sadness in Stevie Knicks’ voice, and the lyrics full of reflection, can’t help but make us think that no matter what happens to us, life moves forward. Sometimes, you just have to leave the past behind, be the bigger person, and focus on the future; as hard as it may be.

“Don’t Look Back in Anger” by Oasis

Wise words from these Britpop royals.

“Walk Away” by Ben Harper

Ben Harper has this magical way of using his voice, music and lyrics to convey the deepest of emotions, completely effortlessly. The track says it all.

 

“Let it Go” by James Bay

Typically, I don’t lean towards overplayed Top 40 pop music, but there’s just something about this one. Bay masterfully controls his voice, making you feel everything he does. The lyrics, though simplistic at times, are also real which helps the listener relate to Bay’s woes.

 

There’s a lot to be said about 2016, good or bad. Personally, I had a great 2016, one of the best years ever. Musically, however, I did not.

Aside from this blog, I’ve also been contributing to an online entertainment site, examiner.com for about 4 years. Anything from album reviews, concert reviews, new releases, etc. More of an objective journalistic approach to music writing compared to the much more subjective stuff I write here. The site got bought out by axs.com, and was going to shut down mid-2016. I assumed everything would be the same, just under a different banner. Obviously I was wrong, and by the time I figured it out, it was too late. Over 100 articles I wrote, vanished into thin air; gone, just like that, and there wasn’t anything I could do about it.

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Over the last 6 years or so, I’ve been taking guitar lessons. First on an acoustic, then gradually switched over to electric (which is way more fun/easy to play.) I started at a music school, then when my instructor had to move, we still managed to keep it up, even resorting to sessions over Skype. That lasted a while, but as life goes, the time for it on both our ends became less and less, and towards the tail end of 2016, I had to throw in the towel, which disconnected me from a part of music that had been in my life for some time. Now my guitars just sit in the corner of the living room, as decoration.

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My musical game also took a dive: my ear wasn’t as close to the ground as it has been in the past, and I’ve fallen behind on new music. During 2016, Torrent sites were constantly being shut down, so it was hard to get and sample any new music. If I heard a song I liked, my routine used to be: download the album, listen to it on repeat for a couple of weeks. Then go back and download earlier albums of the same artist (if applicable,) to create a well-informed opinion. Nowadays, singles drop left, right and centre. Some are on albums, some are bonus tracks, some are B-sides. It’s becoming more difficult to get everything in one place. Spotify is great, but like the mind of today’s younger generation, it also has no attention span. There’s no time to really fall in love with an artist, because every day, new ones pop up out of nowhere.

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Then there were all the musician deaths, particularly the ones that hit me most. David Bowie’s came first, in January, and it stung. I was never a huge fan, but I did know his music. His persona was also something to be admired because he was different; eccentric; fearless. Prince’s passing followed in April, and that hit much closer to home. I’d seen Prince live a few years ago, during a show where he played at least 7 encores. He was incredible in all aspects of his musicianship and artistry. Even my mom was even a huge fan.

On Christmas Day, there was George Michael, and I was stunned. I’ve had the privilege of growing up with older cousins and an older sibling, so in the 80s, I was always in tune with great music. I learned about U2, INXS, and Duran Duran; plus, Madonna, Michael Jackson, and George Michael. He was practically a household name. In fact, my brothers and I used to dance around the house, air-guitaring and  lip singing to “Faith.” I’m also pretty sure George Michael was the first sex symbol I knew (before actually knowing what a sex symbol was.)

When I got older, I found out he was also part of Wham!, and the genius behind “Careless Whisper.” He disappeared for a while from the music scene in the late 90s, but resurfaced with Patience in 2004, and this hit single – he was unstoppable. I don’t know a life without George Michael. I don’t know a music industry without George Michael.

If the musical chaos of 2016 is evidence of anything, it’s that everything changes. Leaders change, people change, life changes. Relationships change, work changes, you change. The lesson is: act now (well, after you finish reading this.) Don’t wait for the timing to be right, because it will never be “right.” You just never know what the future holds, so why wait?