Archive for the ‘Alternative’ Category

It goes without saying, there’s an art to covering another musician’s work. The key is to make it your own, change as you see fit, whilst maintaining the essence of the original. The following artists missed the memo on all that.

“Get What You Give” by Felix Cartal

Why on Earth did Cartal decide to cover such an underwhelming track? 90s one-hit wonder band The New Radicals birthed this back in 1998, had their 15 minutes, then quit the industry. I tried to find a way to defend his choice – he is, after all, a fellow Canadian. But in no universe, did this make any sense. It wasn’t a good song to begin with, and Cartal just made it worse.


“Faith” by Limp Bizkit

What would possess wannabe punk rockers to make a “loud” version of George Michael’s (RIP) 80s classic? Lead singer Fred Durst along with his whiny voice, roam the streets in oversized board shorts, baseball hats, and a pathetic excuse for a goatee. It’s incomprehensible to me why someone of Durst’s lack of abilities felt he was capable of paying homage to peak George Michael. Brace your ears, this is quite the abomination.

“Fast Car” by Jonas Blue feat. Dakota

This track isn’t like the rest, because technically, it’s a remix, and not a cover. But still; even that was a poor choice by this Jonas Blue character. Tracy Chapman’s original was drowning in emotion. It hung on to that bit of hope, that bit of freedom of not having your past drag you down, and it made you feel everything. This version makes you feel nothing.  Shame on you, Jonas Blue (and Dakota.)

“Under the Bridge” by All Saints

Let me get this straight: female pop group All Saints had the audacity not only to try and cover this epic Red Hot Chili Peppers’ track, but to also do it so so poorly. The DJ-scratch over the guitar intro is offensive. They try to make a song about loneliness and getting high, into something seductive and sultry and mysterious, which for some reason requires the bearing of midriffs. They completely fly over the heart of this song, and ignore its soul. How dare you, All Saints. How dare you.

“Light My Fire” by Train

Train: you are a mediocre pop/rock group (at best) that hit the top of your game in the early 2000s, with a couple of hit singles.  The Doors:  released this song in 1967, and are one the most influential bands of all time. They helped define rock ‘n roll, and this was one of the songs that paved the way. This cover is insulting, forgettable, and keeps none of the spirit of the original. So Train, I have to ask: who do you think you are?

 

(Note: all covers of “Smells Like Teen Spirit,” and anything by The Beatles or Michael Jackson were omitted – there are just too many horrible ones.)

If you grew up listening to alternative in the 90s, this will be a nice trip down memory lane. If you didn’t, here’s what you missed.

“In the Meantime” – Spacehog

There’s nothing particularly fascinating about this song: it doesn’t relate to a specific memory, there’s no outstanding hook, the guitar-playing isn’t out of this world. It just always reminds me of the 90s, so I had to include it.

“Blurry” – Puddle of Mudd

Lead singer Wes Scantlin showed even post-grunge rockers have a softer, sensitive side. It gave the band some much needed depth, and although it wasn’t their only hit in the 90s, it was definitely their best.

“Standing Outside a Broken Phone Booth with Money in my Hand” – Primitive Radio Gods

The main appeal of this track was that it was just so cool: the unnecessarily long title; the almost-dance beat in the background; the random yellings of some guy. What isn’t there to love?

“Inside Out” – Eve 6

Whenever I hear this track, the only thing that pops into my head is their album cover: a large fly on the front, a heart with arrows in it on the back. I will never forget it because I bought the album based on this track alone, and stared at it endlessly, desperately seeking another likeable track. No luck there.

“Through the Looking Glass” – Stone Sour

Hard rockers getting in touch with their innermost thoughts, taking a stab at self-reflection, and discussing feelings, all through vocals full of vulnerability. It was emo, even before emo was emo.

“Curious” – Sandbox

A staple in the Canadian alternative music scene. Plus, how could you ignore the echo-y microphone effects (aka 90s autotune) and the catchy hook?

“Sic Transit Gloria…Glory Fades” – Brand New

It’s fast, it’s slow; it’s loud and in your race, it’s quiet and mysterious. It has it all, which is why I still love this track.

“If You Could Only See” – Tonic

This is lathered in so much 90s nostalgia, I can’t even handle it.

“Freshman” – The Verve Pipe

To be fair, this entire album was pretty good, but this track really stood out. It was seriously heavy, but also seriously great. It hits deep down, no matter how many times you listen to it, no matter how long it’s been since the first time you heard it.

“Popular” – Nada Surf

It’s so high school, so 90s, and so everything.

I remember a time when the MuchMusic Video Awards (aka MMVAs) were everything. They were surrounded by so much hype, and because they shut down Queen St. and performed in parking lots, it made this awards show young, cool, and quirky. Over the years though, the intensity of the frenzy diminished, mostly because MuchMusic stopped really being about music. The MMVAs – now called iHeartRadio MMVAs – are coming up this weekend, so I thought I’d take a look at some of my favourite MuchMusic memories.

5 Intimate & Interactive

A few hours dedicated to interviewing a particular musician, and also having them perform live, while surrounded by their fans in the MuchMusic studio. VJs would take on hosting duties, and find out things like which members of the Backstreet Boys wore boxers, and which ones wore briefs. Or what was Avril Lavigne’s deal with skater boys? The performances were often more stripped-down, cozier versions of original tracks, making the musicians more accessible to fans, who also had the opportunity to engage with their idols.

 

4 Big Shiny Tunes

The be-all and end-all of compilation albums. If you didn’t own either BST1 (released in 1996) or BST2, we definitely were not friends. They had all the best rock/alternative tracks of the year. It wasn’t always the big names either; they also included the likes of Poe, Wide Mouth Mason and Placebo. I tapped out after the 2nd volume, but apparently they went all the way up to 14 (2009.) If you want to impress anyone with 90s music knowledge, check them out.

 

3 The VJs

I used to watch hours and hours of MM after school, so I felt like I personally knew all the VJs. I’m not talking about the ones that are still on TV like, Devon Soltendieck, Rick (the “temp”) Campanelli, or even Geroge Stroumboulopoulos. I’m talking about the ones that truly defined the classic MM VJ.  Like Bill Welychka. He had 90s Eddie Vedder hair (that he eventually cut, making him unrecognizable,) and wore plaid shirts. Master T: the dreadlocked rap connoisseur. Sook-Yin Lee, aka the Asian hipster, before Asian hipster was even a thing. Being a MuchMusic VJ was my dream job for a very long time. Too bad it never worked out.

 

2 Speaker’s Corner

This was such a staple of the downtown Toronto community. A video booth where you could rant and rave about whatever you wanted. You could talk, sing, scream, complain, support, encourage, whatever came to your mind, no matter your mood. It was such a Toronto thing, and the chosen ones’ videos would get broadcast on TV. More often than not, at strange hours of the day, but sometimes, in those strange hours, Speaker’s Corner was exactly what was needed.

 

1 Electric Circus

Doesn’t matter what music you were into, everyone wanted to be on Electric Circus. A full out dance party/rave in the MM studios, hosted by none other than the Monika Deol. There were so many theatrics going on, because everything was being broadcast on TV. Fluorescent make up, arms flailing with glow sticks in hand; 10″ heels, so much pleather, tube tops, and shiny silver pants. And of course the gyrations, bare midriffs, and indoor sunglasses. My favourite though, were all the fame chasers who dance so hard when the camera came near them, as though they were about to be discovered. What an iconic show.

 

Oh MuchMusic, I miss you.